• Continuously variable gain control

•  Front panel instrument input

• DC coupled ribbon mic with 10dB gain boost setting

• 80 Hz rolloff filter,

• 48V phantom power

• 15 dB Pad

Polarity flip

• API 500 series compatible format

  
  

  Minimum Gain	8.5 dB
  Maximum Gain
  (continuously variable)	60 dB (70 dB in Ribbon Mode)
  Frequency Response
  +0 / -3 dB	sub 3 Hz to beyond 300 kHz
  Noise
  60 dB Gain, 10 Hz - 30 kHz, Inputs common	-133 dB EIN
  Total Harmonic Distortion + Noise
  35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out	< .001%, Typ. < .0005% (< 5 ppm)
  Intermodulation Distortion
  (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out	< .0009%
  Phase Response
  35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out	< 2 degrees deviation
  Common Mode Rejection Ratio
  35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.	> 65 dB, Typ > 85 dB
  Slew Rate
  35 dB Gain, +27 dBu Out	> 25 Volts per microsecond
  Maximum Input Level
  20 Hz - 40 kHz	+20 dBu (no attenuator pads required)
  Maximum Output Level
  20 Hz - 40 kHz	+28 dBu
  Phantom Input Impedance
  1 kHz	6,750 ohms
  Output Impedance	24.3 Ohms (x2)
  Phantom Powering	+48 V dc, +/- 2 V dc
  Dimensions/Shipping Weight	1.5” W x 5.25” H x 6” D, 3 lbs..

  
  

  
  

  Jack Vad, award winning producer/engineer for the San  Francisco Symphony: "Since 1992 when I was Millennia's first customer, I've had the privilege of lending my ear and thoughts regarding new developments and products." "The San Francisco Symphony has always owned both Millennia preamps and convertors because they meet our criteria of transparency and resolution, and since I've been asking John and Joel to develop 500 series modules for years, I'm extremely pleased by the release of both the AD-596 and HV-35." "They both represent everything I expect from Millennia products which, in this case, are now offered in a new form factor utilizing proven designs and providing subsequently greater versatility." Donal Hodgson,  producer/engineer for Sting and many others: “For me it was a no brainer when I heard that Millennia were releasing a 500 series mic amp.” “I put 48 channels of HV-3D into Sting’s tour rig and I wanted access to that super clean pure sound in my portable 500 series rack.”