Hailed at its introduction as a “holy grail of recording,” by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance – with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing. All with a user-interface that is a model of clarity, speed and ease-of-use.
Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, or save that otherwise once-in-a-lifetime performance, Auto-Tune is the overwhelming tool of choice.
Press and Reviews
The New Yorker examines Auto-Tune’s dramatic impact on the music industry in an article by pop-music critic Sasha Frere-Jones.
“Antares has another winner with Auto-Tune 7, and fantastic results are possible with only a little bit of patience…If you don’t have pitch correction in your studio, you owe it to yourself to check out Auto-Tune 7. There’s a good reason everything else in the product category is benchmarked against it.”